It’s this week’s villain, however, that steals the show here. And, of course, it comes as no surprise now to state that Cumberbatch owns every second. Even when he is completely off the rails, he’s still the smartest guy in the room, and Moffat relishes diving into his mental processes, showing him imagining images in thin air or trampling all over the walls. It’s not the first time we’ve seen Sherlock be a little out of it whilst he solves a case, but it is always a pleasure to witness. His mind is just too busy to slow down, even if his conscious thought takes less time to catch up. Effortlessly making the audience feel as confused and disorientated as Sherlock, we not only jump forwards and backwards in time, but also go along with Sherlock as he hallucinates whilst tripping out of his head. In a story that once again twists and turns more than a high Sherlock, our main characters are once again thrust back together to solve the case.Īs far as complicated plots go, this one really does take the cake. Smith has amassed his fortune through a life of good deeds – yet has an inexplicable and unavoidable desire to kill. However, a visit in the middle of the night puts Sherlock on the trial of the “most horrible human being he has ever met” – a serial killer millionaire named Culverton Smith ( Toby Jones). Sherlock is back on the drugs, Watson has sought out a new psychiatrist and things look very bleak in general. Following on from last week, we find both Sherlock and Watson ( Martin Freeman) in a seriously dark place. It’s as intriguing as it is terrifying, and throws the entirety of the Sherlock universe into disarray.īut back to this episode, which really was a treat from start to finish. Penned by co-creator Steven Moffat, famous for his dangerous and exciting female characters in Doctor Who, it really doesn’t seem to be of any surprise that a secret sister of Sherlock’s ( Benedict Cumberbatch) and Mycroft ( Mark Gatiss) has come out of the woodwork. ![]() Sherlock series 4’s second episode was once again an absolute joy to watch, with strong writing, flawless performances and a twist we really should have all seen coming for the past couple of years.
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